1. Review Into the Wild practice test.
2. Beyond Notes- Discussion
3. ITW test protocol. Test is due by the end of the day on Tuesday, December 22nd.
Upcoming: Read Fences
1. Review Into the Wild practice test.
2. Beyond Notes- Discussion
3. ITW test protocol. Test is due by the end of the day on Tuesday, December 22nd.
Upcoming: Read Fences
1. Into the Wild quiz discussion.
- Is the analysis TRIFECTA present in each question: WHAT? HOW? WHY?
- Is the device clearly reference? Is it accurate?
- Has the explanation clearly reference the author's choice and its effect on the text?
2. Allusion chart work- Small groups
3. Gatsby and poetry test feedback
Homework:
1. Read BOTH links on embedding quotations in literary analysis. TAKE NOTES. (There is more information on the General Feedback document, as well)
2. ITW practice test. You may use your LP.. but not internet or other resources.
3. "Beyond Notes"- Schoology
4. Finish allusion chart and update World Issues chart
REMINDER: We will meet next week on MONDAY. MONDAY at 2:00. We are doing this to allow more time for you to take the Into the Wild test.
1. Writing a literary claim/thesis:
Thesis Mad Libs: (If you need assistance)
2. Lit HIIT: Rhetorical Techniques in Into the Wild
Write a literary thesis about one of the following literary techniques: Ethos, Pathos, Logos. Post in Schoology discussion board.
3. Small group review and feedback on literary thesis practice. Structure of claims. Approach to text. Offer feedback to classmates.
4. Rhetoric in Into the Wild. Review.
Homework:
1. Fiction v. Nonfiction
While fiction is sometimes thought of as the work of an individual imagination, non-fiction often relies on the experiences of others and can thus be seen as the result of a group or communal effort.
How far and to what effect have you found evidence of this “communal effort” in Krakauer’s work Into The Wild? Discuss this idea specifically as it relates to chapters 10-15.
Authorial Reticence: deliberate withholding of information and explanations about the disconcerting fictitious world.
2. Into the Wild quiz. Due by the end of Wednesday, December 15th.
3. Finish the book and the afterword by class on Friday, December 18th.
4. Look over the IB LP Check "assessment." Look through your LP as you mark your responses. You need to be at 100% by Sunday, December 20th. This means your LP needs to be good to go by Sunday.
5. ITW test will be on Monday, December 21st. (FYI)
As you are making the transition from poetry back to prose... remember to focus on Jon Krakauer's writing practice... the way he writes... and what is the effects of his writing choices on the meaning of the book. Things to be thinking about as you are studying this piece of writing:
How does Krakauer choose to characterize C.M? Is this a journalistic representation of this young man's experience or an editorial view?
How does Krakauer treat time in this story? Why does he choose a non-linear plot? How does this serve his purpose for this book? What effect(s) does this organization have?
What is the impact of the different mediums used in this book? Maps, journal entries, epigraphs? How do they support JK's goals for this text? How are they supportive of the subject matter?
What is the effect of JK selecting certain events of CM life and building a complete narrative around these events? What does the reader need to remember about these choices?
How do the Transcendental ideals influence JK's creation of CM? (notice what I said there.... our author.. not our character).
How does the characterization of supporting characters work in association with CM? Why these individuals? What roles do they serve JK's narrative?
What is revealed in the author's note? What clues are we given as to JK's purpose?
Reading/Upcoming Schedule:
Tuesday, Dec. 15: chs. 10-15 due
Friday, Dec. 18: 16-afterword due
Mon., Dec. 21: practice test due and beyond notes due; update world issue chart
Dec. 22: ITW test due
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1. LIT HIIT: ITW
In the opening pages of Into the Wild, John Krakauer chooses to represent Jim Gallien's initial impressions of the hitchhiker he picks up in the following way:
The sun came up. As they rolled down from the forested ridges above the Tanana River, Alex gazed across the expanse of windswept muskeg stretching to the south. Gallien wondered whether he'd picked up one of those crackpots from the lower forty-eight who come north to live out ill-considered Jack London fantasies. Alaska has long been a magnet for dreamers and misfits, people who think the unsullied enormity of the Last Frontier will patch all the holes in their lives. The bush is an unforgiving place, however, that cares nothing for hope or longing.
What is the authorial purpose of starting Into the Wild with these specific initial impressions?
2. Learner's Portfolio expectations: IB LP- ITW
3. Allusion Chart- Due by Monday, December 21st.
4. Transcendentalism questions- How does Krakauer use the Transcendental writers and subject matter as a way to characterize Chris McCandless.
5. Epigraphs- ITW
6. Snippet discussion-
1. Shakespearean Sonnets-
Lit HIIT- Transcendentalism
Thoreau, Henry David. Walden; or Life in the Woods. Boston: Ticknor and Fields, 1854.
I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion. —
From this passage from Walden, identify one VALUE that Thoreau presents in this essay. Select two diction choices from this passage that effectively represent this value. Be ready to explain your choices.
2. Transcendentalism Notes
Transcendentalism- A literary and philosophical movement arising in 19th-century New England, asserting the existence of an ideal spiritual reality that transcends empirical and scientific reality and is knowable through intuition
3. Group work- Work on together. Each student submit own pdf.
Allusion- indirect reference to a famous book, person, or event in history.
4. Review Into the Wild reading schedule and Learner's Portfolio expectation.
1. Discuss “Taxpayer Money,” “Pine Cones,” and “World of the future, we thirsted.”
Discussion questions for small groups:
Major guiding features in your group's discussion must be:
#1 What do you notice about Nye's style overall? What are specific characteristics of Nye's writing that you see repeated in these three final poems that you have seen represented in earlier poems?
#2 How do these stylistic choices work to develop or support different thematic issues? Theme is a cumulative effect of other devices at work... What would be thematic issues addressed in each poem, and what is Nye's message (Thematic statements) about these issues?
#3 Discuss other "cumulative" devices.. (tone.. characterization... mood... imagery). Make clear connections between the use of these devices and the impact they have or create.
#4 Discuss TPCASTT findings.
Second task for small groups:
Update your world issue chart. Be specific to the poems. For instance, if I have "violence" as a subject, I would add "To Jamyla Bolden" to that box.
Homework for Friday: